Tugan Sokhiev
Musik
Über mich
Tugan Sokhiev wurde in 1977 in Wladikawkas, Nordossetien, geboren. Er studierte bei Ilya Musin und Yuri Temirkanov am Konservatorium in Sankt Petersburg, wo er im Sommer 2001 seinen Abschluss machte. 2000 wurde er beim Prokofieff-Wettbwerb mit dem ersten Preis ausgezeichnet. Anschließend ernannte man ihn zum Chefdirigenten des State Symphony Orchestra of Russia und künstlerischen Leiter des Nort...
Tugan Sokhiev wurde in 1977 in Wladikawkas, Nordossetien, geboren. Er studierte bei Ilya Musin und Yuri Temirkanov am Konservatorium in Sankt Petersburg, wo er im Sommer 2001 seinen Abschluss machte. 2000 wurde er beim Prokofieff-Wettbwerb mit dem ersten Preis ausgezeichnet. Anschließend ernannte man ihn zum Chefdirigenten des State Symphony Orchestra of Russia und künstlerischen Leiter des North Ossetian State Philharmonic Orchestra.
Tugan Sokhiev hat sich als Dirigent einen internationalen Ruf erworben und wird von Opernhäusern und Orchestern auf der ganzen Welt verpflichtet. Eine enge Verbindung besteht zum Mariinsky-Theater in Sankt Petersburg, wo er regelmäßig als Gastdirigent mit internationalen Orchestern auftritt. Seit der Saison 2005/06 ist er Gastdirigent und künstlerischer Berater des Orchestre National du Capitole de Toulouse. Seitdem gab er ausgesprochen erfolgreich Konzerte in Wien, Ljubljana, Zagreb, San Sebastian und Paris, wo ihm vom französischen Kritikerverband für ein Konzert mit Magdalena Kožená am Théâtre des Champs-Elysées die Auszeichnung „Révélation musicale de l'année“ verliehen wurde.
2002 gab er mit Puccinis „La Boheme” an der Welsh National Opera sein Debüt in England, gefolgt von weiteren erfolgreichen Produktionen, darunter Tschaikowskys „Eugene Onegin”, mit der er 2003 auch sein Debüt an der Metropolitan Oper in New York gab.
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Tugan Sokhiev is rapidly establishing an international reputation, and is in demand from opera houses and orchestras worldwide. He has a close association with the Mariinsky Theatre, appears as guest conductor with a number of international orchestras and following three seasons as Principal Guest Conductor and Artistic Adviser of the Orchestre National du Capitole de Toulouse, he becomes Music Director from 2008/9.
Since taking up the post with the Orchestre National du Capitole, he has conducted critically acclaimed concerts in Toulouse, Germany, Vienna, Ljubljana, Zagreb, San Sebastian and Paris, where he was awarded the ‘Révélation musicale de l'année’ by the French Critics’ Union for his concert with Magdalena Kozena at the Théâtre des Champs-Elysées. He made his first recording with the orchestra in Summer 2006 (Tchaikovsky Fourth Symphony and Mussorgsky Pictures) and released his second recording (Peter and the Wolf) in late 2007, both to superlative reviews.
Sokhiev was born in Vladikavkaz, North Ossetia in 1977 and studied at the St Petersburg State Conservatory. A pupil of the late Professor Ilya Musin, he subsequently attended the operatic and symphonic conducting classes of Yuri Temirkanov, graduating in summer 2001. In 2000, he gained the top award in the 3rd International Prokofiev Competition and thereafter became Chief Conductor of the State Symphony Orchestra of Russia and Artistic Director of the North Ossetian State Philharmonic Orchestra. These posts continued until the 2002/03 season.
He made his full Kirov Opera debut in December 2001 with Il Viaggio a Reims, and returned in 2002 and 2003 for Eugene Onegin , with which he also made his Metropolitan Opera, New York, debut with the company in July 2003. In the 2005/6 season he conducted performances of The Golden Cockerel, Iolanta, Samson and Delilah and Onegin, and he performed his first new production with the company in Autumn 2004.
He started to receive international invitations while still a student and early seasons included Icelandic Opera (La bohème), Strasbourg Philharmonic Orchestra, Orchestra della Toscana, Orchestra of the Bayerische Staatsoper (a notably successful Rachmaninov Symphony No.2), BBC Philharmonic Orchestra, Strasbourg Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Orchestre National de Montpellier and Deutsches Symphonie-Orchester Berlin.
In 2002 he made his UK debut conducting La bohème for Welsh National Opera, followed by a number of further productions, including a notable Onegin in Spring 2004. In 2002 he also made his acclaimed Philharmonia Orchestra debut with Rachmaninov Symphony No. 2 and now returns each season.
The 2003/4 season included return visits to Strasbourg and Montpellier, and he made very successful debuts with the Swedish Radio Symphony Orchestra, Vienna Radio Symphony Orchestra, Frankfurt Radio Symphony and Orchestre National de Toulouse. He also made an acclaimed debut at the 2004 Aix-en-Provence Festival (Love of Three Oranges.
He conducted hugely successful revivals of this production for the Grand Théâtre de la Ville de Luxembourg in 2005 and at the Teatro Real, Madrid in Autumn 2006. Other highlights of the 2004/5 season included return visits to the Philharmonia, the Swedish Radio Orchestra and his debut with the Royal Stockholm Philharmonic Orchestra. In August 2005 he replaced Lorin Maazel at short notice with the Sydney Symphony Orchestra and received outstanding reviews as well as an immediate re-invitation.
In 2005/6 he made debuts with Houston Grand Opera (Boris Godounov), Orchestre Philharmonique de Radio France, Orchestre National de France, Oslo Philharmonic, Royal Concertgebouw, Frankfurt Radio Symphony and Munich Philharmonic. He also conducted highly acclaimed concerts during his first year as Principal Guest Conductor in Toulouse.
2006/7 included returns to Vienna Radio Symphony Orchestra, Orchestre National de France, Bournemouth Symphony, Orchestra of the Bayerische Staatsoper and the Philharmonia. He also released his first recording with the Orchestre National du Capitole de Toulouse on the Naïve label (Mussorgsky Pictures at an Exhibition and Tchaikovsky Symphony No. 4), which won outstanding reviews.
Last season he made his debuts with Orquesta Nacional de España, La Scala, Euskadi Orchestra and RAI Turin. He also returned to Finnish Radio, DSO Berlin, Bournemouth Symphony, Orchestre National de France and the Philharmonia. The current season includes debuts with Santa Cecilia, NHK Symphony, Fondazione Arturo Toscanini and the National Philharmonic of Russia, returns to Finnish Radio, Orchestra National de France, DSO Berlin, Mahler Chamber and the Philharmonia, as well as his regular commitments with the Mariinsky Theatre and Orchestre National du Capitole.
Tugan Sokhiev hat sich als Dirigent einen internationalen Ruf erworben und wird von Opernhäusern und Orchestern auf der ganzen Welt verpflichtet. Eine enge Verbindung besteht zum Mariinsky-Theater in Sankt Petersburg, wo er regelmäßig als Gastdirigent mit internationalen Orchestern auftritt. Seit der Saison 2005/06 ist er Gastdirigent und künstlerischer Berater des Orchestre National du Capitole de Toulouse. Seitdem gab er ausgesprochen erfolgreich Konzerte in Wien, Ljubljana, Zagreb, San Sebastian und Paris, wo ihm vom französischen Kritikerverband für ein Konzert mit Magdalena Kožená am Théâtre des Champs-Elysées die Auszeichnung „Révélation musicale de l'année“ verliehen wurde.
2002 gab er mit Puccinis „La Boheme” an der Welsh National Opera sein Debüt in England, gefolgt von weiteren erfolgreichen Produktionen, darunter Tschaikowskys „Eugene Onegin”, mit der er 2003 auch sein Debüt an der Metropolitan Oper in New York gab.
###
Tugan Sokhiev is rapidly establishing an international reputation, and is in demand from opera houses and orchestras worldwide. He has a close association with the Mariinsky Theatre, appears as guest conductor with a number of international orchestras and following three seasons as Principal Guest Conductor and Artistic Adviser of the Orchestre National du Capitole de Toulouse, he becomes Music Director from 2008/9.
Since taking up the post with the Orchestre National du Capitole, he has conducted critically acclaimed concerts in Toulouse, Germany, Vienna, Ljubljana, Zagreb, San Sebastian and Paris, where he was awarded the ‘Révélation musicale de l'année’ by the French Critics’ Union for his concert with Magdalena Kozena at the Théâtre des Champs-Elysées. He made his first recording with the orchestra in Summer 2006 (Tchaikovsky Fourth Symphony and Mussorgsky Pictures) and released his second recording (Peter and the Wolf) in late 2007, both to superlative reviews.
Sokhiev was born in Vladikavkaz, North Ossetia in 1977 and studied at the St Petersburg State Conservatory. A pupil of the late Professor Ilya Musin, he subsequently attended the operatic and symphonic conducting classes of Yuri Temirkanov, graduating in summer 2001. In 2000, he gained the top award in the 3rd International Prokofiev Competition and thereafter became Chief Conductor of the State Symphony Orchestra of Russia and Artistic Director of the North Ossetian State Philharmonic Orchestra. These posts continued until the 2002/03 season.
He made his full Kirov Opera debut in December 2001 with Il Viaggio a Reims, and returned in 2002 and 2003 for Eugene Onegin , with which he also made his Metropolitan Opera, New York, debut with the company in July 2003. In the 2005/6 season he conducted performances of The Golden Cockerel, Iolanta, Samson and Delilah and Onegin, and he performed his first new production with the company in Autumn 2004.
He started to receive international invitations while still a student and early seasons included Icelandic Opera (La bohème), Strasbourg Philharmonic Orchestra, Orchestra della Toscana, Orchestra of the Bayerische Staatsoper (a notably successful Rachmaninov Symphony No.2), BBC Philharmonic Orchestra, Strasbourg Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Orchestre National de Montpellier and Deutsches Symphonie-Orchester Berlin.
In 2002 he made his UK debut conducting La bohème for Welsh National Opera, followed by a number of further productions, including a notable Onegin in Spring 2004. In 2002 he also made his acclaimed Philharmonia Orchestra debut with Rachmaninov Symphony No. 2 and now returns each season.
The 2003/4 season included return visits to Strasbourg and Montpellier, and he made very successful debuts with the Swedish Radio Symphony Orchestra, Vienna Radio Symphony Orchestra, Frankfurt Radio Symphony and Orchestre National de Toulouse. He also made an acclaimed debut at the 2004 Aix-en-Provence Festival (Love of Three Oranges.
He conducted hugely successful revivals of this production for the Grand Théâtre de la Ville de Luxembourg in 2005 and at the Teatro Real, Madrid in Autumn 2006. Other highlights of the 2004/5 season included return visits to the Philharmonia, the Swedish Radio Orchestra and his debut with the Royal Stockholm Philharmonic Orchestra. In August 2005 he replaced Lorin Maazel at short notice with the Sydney Symphony Orchestra and received outstanding reviews as well as an immediate re-invitation.
In 2005/6 he made debuts with Houston Grand Opera (Boris Godounov), Orchestre Philharmonique de Radio France, Orchestre National de France, Oslo Philharmonic, Royal Concertgebouw, Frankfurt Radio Symphony and Munich Philharmonic. He also conducted highly acclaimed concerts during his first year as Principal Guest Conductor in Toulouse.
2006/7 included returns to Vienna Radio Symphony Orchestra, Orchestre National de France, Bournemouth Symphony, Orchestra of the Bayerische Staatsoper and the Philharmonia. He also released his first recording with the Orchestre National du Capitole de Toulouse on the Naïve label (Mussorgsky Pictures at an Exhibition and Tchaikovsky Symphony No. 4), which won outstanding reviews.
Last season he made his debuts with Orquesta Nacional de España, La Scala, Euskadi Orchestra and RAI Turin. He also returned to Finnish Radio, DSO Berlin, Bournemouth Symphony, Orchestre National de France and the Philharmonia. The current season includes debuts with Santa Cecilia, NHK Symphony, Fondazione Arturo Toscanini and the National Philharmonic of Russia, returns to Finnish Radio, Orchestra National de France, DSO Berlin, Mahler Chamber and the Philharmonia, as well as his regular commitments with the Mariinsky Theatre and Orchestre National du Capitole.
