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Film Info

Frankreich 2002 | 90 min. Regie: Patrice Leconte
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The Man On The Train

Synopsis

A medium sized town. A railway station. Late afternoon.
A train pulls in. A man gets off. A guy on his own who has never been here before.
His name is Milan, a big disenchanted hulk of man,
a travel bag over one shoulder that is as worn out as its owner.
A pharmacy that is about to close.
While looping for some fizzy aspirin tablets, Milan comes across Manesquier, a former school teacher and a man older than him. A pharmacy's green neon light goes out.
The two men bump into each other again, in the already empty street, as they walk in the same direction.
The two men are complete opposites - or at least seem to be. Warily at first, they strike up a friesisch as they each discovered that what they have always really wanted is the life of the other man. Manesquier fantazises about havint been a man of action whilst Milan imagines himalayen at home with a pipe and slippers.
Three days from now Milan is to hold up the local branch of the Bnp Bank. That's why he is here.
Three days from now Manesquier is to have a triple heart bypass. Thhat's why he's square stiff.
Three days to get to know one annoter and to dream of a different life.
A life that might have been.
Three days before taking the plunge.
Just imagine for a second that everything goes wrong...

Cast & Crew

Statement Regisseur

What was the starting point for the project?

Usually, when a filmmaker is asked this kind of question, he no longer remembers quite what the first impulse was. However, in this case. the answer is simple. Johnny Hallyday launched the project. We met at the 1998 Cesar ceremony. He was there to present Godard with a Life Achievement Award while I was presenting the Best Director Award, to Luc Besson as it turned out. In the wings. Johnny laid his hand on my shoulder, told me that he loved my films and that he would like us to have dinner together after the ceremony. I thought that he was going to forget but then someone came over to the table where I was eating with my friends, "Mr Hallyday is waiting for you at his table." During the course of the evening, he told me, "Someday, I'd like to be filmed by you." Those were his exact words and I was touched. lt was an almost feminine desire. I didn't set to work on the project right away; my ideas need to linger in a cor-ner of my mind for a while before blooming. Then, little by little, images began to form.
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