Having developed through the 20th century, contemporary dance over the last two decades has reflected the deep changes brought about by post-Fordistic ways of labour. In this sense, possibilities of choreographic processes should not be understood only as aesthetic practices, but also as wider social practices of distributing bodies in time and space. What unfolds before us is a cognitive and sensorial potentiality of movement.

Lecture: Bojana Kunst
Supported by: DFG read less