Antikrist Photo 2022, Thomas Aurin u. a. Jonas Grundner-Culemann als Gottes Stimme | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Thomas Lehman als Luzifer, Flurina Stucki als Die große Hure, AJ Glueckert als Das Tier in Scharlach | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Gina Perregrino als Der Missmut | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Jordan Shanahan als Der Hass | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Gina Perregrino als Missmut | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Flurina Stucki als Die große Hure | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin AJ Glueckert als Das Tier in Scharlach | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Jordan Shanahan als Hass, Flurina Stucki als Die große Hure | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Thomas Lehman als Luzifer, Jonas Grundner-Culemann als Gottes Stimme | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Andrew Dickinson als Lüge, Flurina Stucki als Die große Hure und andere. | 2022, Thomas Aurin
Antikrist Photo 2022, Thomas Aurin Jonas Grundner-Culemann als Gottes Stimme | 2022, Thomas Aurin
The surprise hit of Deutsche Oper Berlin for the past few seasons: Completed almost ten years before the Second World War, the only opera by Danish composer Rued Langgaard oracularly foreshadows an approaching apocalypse. Antikrist is a unique work in music history, in which powerful sounds kaleidoscopically intertwine with an enigmatic language. Only staged in 1999, almost 50 years after its creator's death, the work is an absolute rarity on international operatic stages. Ersan Mondtag's production brings Antikrist to the stage in unprecedented ...
The surprise hit of Deutsche Oper Berlin for the past few seasons: Completed almost ten years before the Second World War, the only opera by Danish composer Rued Langgaard oracularly foreshadows an approaching apocalypse. Antikrist is a unique work in music history, in which powerful sounds kaleidoscopically intertwine with an enigmatic language. Only staged in 1999, almost 50 years after its creator's death, the work is an absolute rarity on international operatic stages. Ersan Mondtag's production brings Antikrist to the stage in unprecedented splendour. The director and exceptional interdisciplinary artist has received numerous awards for his monumental works and his impressive creative power; in this production, he has horrific figures appear amidst pop-cultural references and dance an infernal choreography around them. Langgaard's apocalyptic mystery is thus brought to life as an expressionistic moving image. With Martyn Brabbins, one of the most interesting conductors of 20th-century music returns to Deutsche Oper Berlin.
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