With Georg Nigl, Nina Hoss and Olga Pashchenko in the stage magazine
«I can scarcely believe that any art form penetrates as deeply as music,» writes Käthe Kollwitz about Schubert. What happens if her words meet his songs? A dialogue between two artists who never spoke to each other, and yet understand one another.
***
When the opera closes its doors and the lights go off in the foyer, the house’s hidden rooms come to life – the dressmaking studio between glowing sewing machines, the backstage between storing curtains, the Tischlerei in dim light. Baritone Georg Nigl opens up these secret spaces for three intimate ...
«I can scarcely believe that any art form penetrates as deeply as music,» writes Käthe Kollwitz about Schubert. What happens if her words meet his songs? A dialogue between two artists who never spoke to each other, and yet understand one another.
***
When the opera closes its doors and the lights go off in the foyer, the house’s hidden rooms come to life – the dressmaking studio between glowing sewing machines, the backstage between storing curtains, the Tischlerei in dim light. Baritone Georg Nigl opens up these secret spaces for three intimate encounters between song and text.
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