“This is what a triumph looks like!”, was the title of a review in the Hannoversche Allgemeine Zeitung, describing the premiere of a new production of Rossini’s opera buffa Il Barbiere di Siviglia in January 2020.
Director Nicola Hümpel, head of the celebrated Berlin-based musical theatre collective Nico and the Navigators, focuses on the ambivalences and ambiguities of the story’s characters, who encounter each other in the most absurd of situations and constellations.
The events on stage are turbulent: Doctor Bartolo wants to marry his ward ...
“This is what a triumph looks like!”, was the title of a review in the Hannoversche Allgemeine Zeitung, describing the premiere of a new production of Rossini’s opera buffa Il Barbiere di Siviglia in January 2020.
Director Nicola Hümpel, head of the celebrated Berlin-based musical theatre collective Nico and the Navigators, focuses on the ambivalences and ambiguities of the story’s characters, who encounter each other in the most absurd of situations and constellations.
The events on stage are turbulent: Doctor Bartolo wants to marry his ward, the young and wealthy Rosina, for her money as soon as possible and tries to keep her hidden away from the world.
But Rosina turns out to be extremely contrary and she is less than impressed when she learns about Bartolo’s plans to marry her. In fact, she has already prepared a letter to contact the mysterious nocturnal suitor who has been trying to seduce her with all sorts of tricks and masquerades. Figaro, a local celebrity and hyper-active jack-of-all-trades, is ready to help at any time and to present himself most favourably in front of the camera…
Two cameras record details on stage and project the enlarged images onto a screen, allowing the audience a close view of the events on stage and the expressive performances of the singers. The camera works like a magnifying glass for the show’s comedic details. Light-footed and poetical, this staging illustrates how closely the bigger picture and the smallest detail, the comic and the cryptic, are intertwined in Rossini’s musical theatre.
In order for our website to function optimally, we use cookies for some of our applications. This includes i.a. the embedded social media, but also a tracking tool that provides us with information about the ergonomics of our website and user behavior. If you click on "Accept all cookies", you agree to the use of technically necessary cookies and those to optimize our website. See "Cookie Settings" for more information.
Control settings
Please select your preferences. You can change these at any time.
In order for our website to function optimally, we use cookies for some of our applications. These cannot be deactivated, otherwise you will not be able to use all applications.
In order to make our website as user-friendly as possible, we have i.a. social media embedded on our website. This allows you to share content with your loved ones on the appropriate network with just a few clicks. We also use anonymous tracking technology, which gives us information about e.g. the user behavior, but also the effectiveness and ergonomics of our website. For this purpose, we also use services that may be based outside the European Union (especially in the USA), where the level of data protection may be lower than in Germany.